Archive for February, 2007

I’ve… been… tagged…

Wednesday, February 28th, 2007

Perhaps not officially, but Todd Deutsch, being the badass that he is, did come close enough.  I had not realized that this blogging "chain letter" was making its way around.  Normally I ignore these things, but since I was quite entertained by everyone else's it's only fair that I share 5 things you might not know about me.  Enjoy.

  1. When I am stressed out I become a very "active" sleeper.  I thought that this had went away some years ago, but it turns out that I have just been sharing my room with heavy sleepers.  The special lady-friend witnessed me at my finest recently as I announced an upcoming exhibition by my students, attacked a ghost, very carefully arranged the blankets over her, and pushed myself out of bed in a crouch ready to run away for some reason (not all in one night.)         *note: apparently this runs in the family.  My father, while in medical school worked for UPS and would often be caught stacking imaginary boxes during the night.
  2. I am probably one of the most avid former 4-H members you have known.  I may have been the only non-farmer in my club, but that did not stop me from reaching the oh-so sought after position of Club Presidente'.  Impressive, I know.  I have been wood working since I was young and 4-H lead me to spend much time exhibiting my work at the Minnesota State fair, where I still can navigate to any specific food booth or exhibit purely by instinct.
  3. My father was a former 4-H'er and it lead him into the unique hobby of beekeeping.  I helped out for many years, learning the gentle art of honey theft while building up my immunity to the venom.  After a while I stopped wearing anything but the gloves (which my father always did without.)  I can still close my eyes and recall the smell of the honey shed and it gives me happy goosebumps.
  4. Bees weren't the only animals I liked.  I had lots of strange pets over the years.  The most unique would have to be Smokey, my parrot, who enjoyed nothing more that exercising to the 1989 Batman Soundtrack (he loved Prince.)  I also had a hamster that hated to be handled so much that he would pop one eye partly out of his socket to frighten us.  I would say this plan is destined to backfire when dealing with 13 year-old boys.smokey
  5. During my teenage punk-rock years I had a hairstyle that my friends still enjoy bringing up.  For some reason I buzzed my head except for the hair by my ears.  I would say they were like sideburns, except that I didn't have facial hair, so they really were much more like sidelocks.  They got pretty long and hornlike (with the help of wood-glue).  After visiting a friend's house, his father, a native Russian, kept referring to me as his son's Hasidic friend… finally I put it together… he was thinking of the beautifully aweful locks as Peyot.  Afterwards I wondered how I went so long without thinking of that myself.

Now you all know so much about me… I feel so much closer to you anonymous readers…sigh…  Now for the tagging.  I'll branch out.  Jeremias Paul, Greg Davis, Steve Aishman, and Bjorn Hagstrom.

animal companions

Tuesday, February 27th, 2007
This began some time ago, in Santa Fe, when I first met the Chicagraphers.  I was already a fan of much of their work, but it was the first time that I saw Brian Ulrich's terrific break room photographs.  For those of you unfamiliar with this body of work I highly suggest visiting Brian's site and checking it out. 
 
As telling and strange some of the backrooms that Brian documents are, I must say that the one I dine in every day will win the award as the most surreal.  By lunch time I am feeling the need to get away from the computer and have a quiet break with my headphones and a book, so I visit the lesser used break room, where I can evade co-worker conversation for an hour.  It seems that the four surprisingly large elk heads with their disassembled antlers are not the most appetizing company.  At least when someone does join me, much of the conversation will be my hypothetical musings from the animals, or their concentrated ignoring of the beasts by means of daytime soaps. 
 
break room
 
Someday I think Brian will make fine use of this room, and then I will get to reminisce every time I visit his work.  I should mention that there is one employee less disturbed than me, who actually naps in the room next door, which is a virtual animal kingdom of living death.

a big trip

Saturday, February 24th, 2007
 
BESS
 
Sub-Zero temps
nothing new here
A downfall of snow
makes some airplanes disappear
From MN and GA
to NYC and CAA
Did I forget the madness?
Was I caught up in play? 
Or a quick trip to Antarctica
the P.S.1 way
 
JAY

Silent Service - Le Samourai

Monday, February 5th, 2007

There is no solitude greater than the samurai's, unless perhaps it be that of a tiger in the jungle.

-Book of Bushido

Le Samourai Film

Honor, Pride, Service and death.  Words for a warrior.  Whether a soldier in an army or a lone assassin, these words are the code that has bound warriors for thousands of mankind's years.  In film, as well as history, the Samurai have served as the archetypes for warriors that follow a strict code. There is a special fascination that film audiences hold for the Samurai. They are embraced for their supernatural combat skills and unbreakable Zen, yet it is these mechanical qualities that serve to distance them from the audience as well as the other characters. Characterized by solitude and inevitable death, Samurai have become some of film's great tragic characters and no film emphasizes their tragedy better than Le Samourai.  
 
Jef Costello (played by Alain Delon ), is not the typical Samurai. For one, this is set in 1967 Paris and Costello is not a robe-clad martial artist.  The title of the film as well as the opening passage from the Book of Boshido serve to create a metaphor for the audience that will connect Costello to the notions of a Samurai outside the usual combat and culture.  Costello is a hitman.  A killer that is so methodical and focused that he does not even have a criminal record (since he is never caught.)  His drab, sparse apartment and cold, deliberate interactions with other characters reflect his complete dedication to his work.  There is no sense of happiness in this character, giving the impression that his solitude is a necessary aspect of his duty.
 
The director, Jean-Pierre Melville, distinctly styles this movie to speak of the character.  Drab color and ugly mornings reflect an overall mood of melancholy.  The film is nearly silent, which caused me to listen to the thoughts in my head (or passing through the character's?) and methodically be weighted down by his troubles.  Perhaps most importantly, Melville leaves out intense action scenes. Roger Ebert states the reasoning better than I can.
Action is the enemy of suspense. Action releases tension, instead of building it. Better to wait for a whole movie for something to happen (assuming we really care whether it happens) than to sit through a film where things we don't care about are happening constantly.
 
The calm Costello, after being betrayed by his employer and chased by the police, is wearing down.  We can see the exhaustion in his eyes.  An exhaustion not a result of 15 straight fights (like in a typical film), but because honor and pride are battling inside his head and he is desperately (yet deftly) planning his own salvation.
 

Costello faces a mortal decision of conflicting honor.  On one hand there is a woman who saved him from incrimination, therefore, in the case of a murder conviction, likely owes a life debt.  On the other hand is an employer who has hired him to kill her.  This decision is a little blurry to the audience who does not know exactly who he must kill, we only sense that he is deeply troubled and see many reasons to be so.  Costello settles on a solution (unbeknownst to the viewers) that leads him up to the point where he could have certainly completed his mission, but also would be killed by the police.  By doing so, he keeps his honor and pride with everyone certain he could have finished, but dies before he can be dishonored by pulling the trigger.  Again, the tragic samurai is doomed, as he often is, by his own hand.  Whether it is the blade in the stomach of seppuku or calmly walking into the line of your enemies, a samurai will always choose honor over life.